bibliography

<keeping a copy on my blog in the chance the file gets lost somehow!!>

Alter Muri, S. (1999) ‘Folk Art and Outsider Art: Acknowledging Issues In Art Education’. Art Education [online] Volume 52 No.4, p.36-41. [22/09/16]. Available from: http://www.jstor.org/stable/pdf/3193772.pdf

Nichols, H. (2013) ‘The Scaffolded Artist: Professionalisation in the supported studio’. Supported Studio Network [online] [22/09/16]. Available from: http://aarts.net.au/supportedstudios/blog/2013/04/17/supported-studios-and-the-false-economy-of-outsider-art/

Fine, G.A. (2003) ‘Crafting Authenticity: The Validation of Identity in Self Taught Art’. Theory and Society [online] Volume 32, No.2, p.153-180. [22/09/16]. Available from: http://www.jstor.org/stable/pdf/3108577.pdf

Basciano, O. (2013) ‘What happens when an artist who spends all of his life as an outsider is absorbed into the commercial art system?’. Art Review [online] Volume 64, Issue 6, p.92-95. [28/09/16]. Available from: http://web.a.ebscohost.com/ehost/detail/detail?vid=2&sid=a0dcd416-5937-46d4-9004-dc01f65ea421%40sessionmgr4010&hid=4104&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=90418053&db=asu

Kuspit, D. (1991) ‘The Appropriation of Marginal Art in the 1980s’. American Art [online] Volume 5, No.1/2, p.132-141. [28/09/16]. Available from: http://www.jstor.org/stable/pdf/3109034.pdf

Girardot, N. and Viera, R. (1994) ‘Howard Finster’. Art Journal [online] Volume 53, No.1, p.48-50. [28/09/16]. Available from: http://www.jstor.org/stable/pdf/777533.pdf

Blandy, D. and Congdon, K.G. (2001) ‘Approaching the Real and the Fake: Living Life in the Fifth World’. Studies in Art Education [online] Vol 42, No.3, p.266-278. [28/09/16]. Available from: http://www.jstor.org/stable/pdf/1321041.pdf

Kirwin, L. (2002) ‘The Reverend Howard Finster: The Last Red Light before the Apocalypse’. American Art, Volume 16, No. 2, p.90-93. [28/09/16] Available from: http://www.jstor.org/stable/pdf/3109386.pdf

Wojcik, D. (2008) ‘Outsider Art, Vernacular Traditions, Trauma and Creativity’. Western Folklore, Volume 67, No.2/3, p.179-198. [28/09/16] Available from: http://www.jstor.org/stable/pdf/25474913.pdf

Reynolds-White Hawk, D. (2012) ‘Unexpected Parallels: Commonalities between Native American and Outsider Arts’. Wicazo Sa Review [online] Volume 27, No.1, p.47-61. [12/10/16] Available from: http://www.jstor.org/stable/pdf/10.5749/wicazosareview.27.1.0047.pdf

               

Schrift, M. (2006) ‘Angola Prison Art: Captivity, Creativity and Consumerism’. The Journal of American Folklore [online] Volume 119, No.473, p.257-274 [12/10/16] Available from: http://www.jstor.org/stable/pdf/4137637.pdf

Parr, H. (2006) ‘Mental Health, the Arts and Belongings’. Transactions of the Institute of British Geographers [online] Volume 31, No.2, p.150-166 [12/10/16] Available from: http://www.jstor.org/stable/pdf/3804378.pdf

Vlach, J.M. (1980) ‘American Folk Art: Questions and Quandaries’. Winterthur Portfolio [online] Volume 15, No.4, p.345-355 [12/10/16] Available from: http://www.jstor.org/stable/pdf/1180702.pdf